#58 Cliff Richard and The Shadows |
SHADOWS PERSONNEL
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Date of first chart entry: | 6 September 1962 |
Highest position in chart: | 2 |
Weeks in chart: | 12 |
Weeks in Top Twenty: | 9 (6 September-1 November): |
17. 7. 3. 2. 3. 6. 9. 11. 15 |
A dynamic remake of Jack Clement’s ‘It’ll Be Me’,
which had been the flipside of Jerry Lee Lewis’ notorious ‘Whole Lotta Shakin’
...’ back in 19571, gave Cliff and The Shadows another notable success;
it would resurface shortly on the 32 Minutes ... LP [#61]. It was at
its strongest in chart terms for the three week period 20 September-4 October:
again (cf. under #52 above), the problem was Elvis Presley, this time with
‘She’s Not You’; it took ‘Telstar’ to dislodge him (on 4 October).
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#59 The Shadows |
[EP 7] THEME FROM THE BOYS / [EP 8] THE GIRLS / [EP 9] SWEET DREAMS / [EP 10] THE BOYS PERSONNEL
DISTRIBUTION
UK CHART PERFORMANCE |
Date of first chart entry: | 11 October 1962 |
Highest position in chart: | 1 |
Weeks in chart / at 1 / in Top Ten: | 46 / 3 / 35 |
The Shadows were back in contention in the EP market with a collection of fresh material, commissioned for the Galaworld film "The Boys", and they earned themselves a chart-topper in the process. Three of the four numbers were penned by group members, with jazz pianist Bill McGuffie2 contributing the exquisite SWEET DREAMS. If the film has not stood the test of time3, the music certainly has, THE BOYS in particular, which is the most commonly encountered EP track on CD compilations4: "a great slab of pure rock instrumental music" as Rob Bradford5 has aptly termed it. Though not as popular over the years, the matching THEME FROM THE BOYS, provided with orchestral and choral overdubs under Norrie Paramor’s skilful direction, is no less accomplished a piece. By 25 October The Boys had climbed to 2, with Elvis’ Follow That Dream in its twentieth week at the top! The next week Elvis was overtaken, and The Shadows held their ground for two more weeks with Elvis’ Kid Galahad pressing them hard. On 22 November the latter moved past them, and the same 1/2 persisted for three more weeks. After a two-week dip to 3 then 4 prior to New Year, Kid Galahad/ The Boys appeared at 1/2 on 3/10/24 January, The Shadows having been pushed from 2 to 3 on 17 January by The Sounds Of The Tornados, a sequence that recurred on 31 January. The Boys would climb to 3 once more, behind Kid Galahad and Frank Ifield’s Hits, on 7 March. It paid a final visit to the Top Ten on 20 June. COMPOSERS
VINYL RECORDS
All tracks appeared on Singles, as follows: |
THE BOYS / SWEET DREAMS | Denmark Norway 1962 |
THE BOYS / THE GIRLS | Australia 1962; Turkey |
THEME FROM THE BOYS/ THE BOYS | Italy 1962 |
APACHE / THE BOYS | New Zealand 1962 |
DANCE ON! / THE BOYS | New Zealand 1962 |
MUSTANG / THE BOYS | France 1962 |
EPs
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LPs
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Rarities | UK 1976 etc. see #174 |
Thunderbirds Are Go! (1) | Japan 1966/ Taiwan |
The Shadows (6) | UK 1970 etc. see #159 |
Mustang (2) | France 1974 etc. |
The Shadows (10) | France 1977 etc. = |
The Best Of The Shadows (6) | Belgium 1977 |
Pretty common on LP, as one would expect. UK
compilations: see in addition to The Shadows At The Movies and
The EP Collection Vol. 2 already mentioned: #75/166, 193, 201,
202.
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Hurrah! For The Shadows (1) | France 1963 etc. |
Hits All The Way | South Africa 1963 |
Greatest Hits (2) | Japan 1964 = |
Early Hits Of The Shadows | Japan 1968 |
The Shadows Greatest (2) | Malaysia 1965 |
The Shadows (3) | Brazil 1965 = |
The Shadows Vol. 1: Arquivo Pop | Brazil 1975 |
The Fantastic Shadows Vol. 1 | Greece 1967 |
Four Sides Of The Shadows | Sweden Belgium 1972 |
Their 20 Greatest Hits | New Zealand 1975 |
Shadoogie | France 1976 etc. = |
De Mooiste Shadows Hits | Holland 1985 |
20 Golden Greats Vol. 2 | New Zealand 1983 + 2 |
Rock On With The Shadows Vol. 2 | New Zealand 1984 = |
id. Vol. 1 | Malaysia 1985 |
Lo Mejor De Lo Mejor | Mexico 1984 = |
Pioneros Del Rock | Spain 1985 |
The Shadows Favourites | Australia 1985 |
The Definitive Live Album | Holland 1989 |
Dance On! With The Shadows (3) | France 1990 |
CD ISSUES
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1 Pumping piano in this new version courtesy of Hank Marvin presumably (so
John Tobler, 25 Years p. 69) rather than producer Norrie Paramor.
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